• • 2019
  • ‘Berengo Studio Brings a Modern Twist to the Craft of Murano Glass-Blowing’ by Jessica Klingelfuss, Wallpaper, July 2019
  • 2018
  • ‘CQ Interviews: Brazilian Artist Valeska Soares whose eclectic art over three decades spans across Media’ by Elizabeth Soumya, Colour Quotient ( October 14, 2018)
  • ‘A única forma de ser transgressivo é continuar fomentando ideias’ by Nelson Gobbi, O Globo, Segundo Caderno: ( Oct.8,2018) : 3
  • ‘Suprise Suprise: Valeska Soares tells Tausif Noor why her visceral art is “like a trap”.’ by Tausif Noor, Frieze Week New York 2018, May 02-06, 2018.p.10
  • ‘The Day After’, Vogue Brasil, (September) pp.242-249
  • ‘Valeska Soares’ by Evan Moffitt, Frieze 197 (September) pp.122-127 (illus)
  • ‘Sense and Sensibility: Valeska Soares at the Pinacoteca de São Paulo’ by Achim Drucks, ArtMag, Deutsche Bank (September)
  • ‘Reconstrução da memória…’ by Bruno Yataka Saito, Valor (September 21, 2018):28 (illus)
  • ‘A Ressaca (ou o fim da Festa)’ by Silas Marti, Folha de São Paulo, (September 2, 2018) illus.
  • ‘Valeska Soares ganaha retrospectiva na Pinacoteca de São Paulo Casa Vogue/Gemada, (07/08/2018)’ by Beta Germano, Casa Vogue/Gemada, (07/08/2018) (illus)
  • ‘“Pinacotea revé 30 anos de produção de Valeska Soares.” (August 9, 2018)’ by Ribeiro, Amanda., Folha de S. Paulo
  • ‘“Mostra celebra arte de Valeska Soares.” (August 7, 2018)’ by Rocha, Pedro, O Estado de S Paulo
  • ‘“Valeska Soares leva ‘ação kamikaze’ ao museu.” (August 7,2018)’ by Menon, Isabella, Folha de S. Paulo
  • ‘Valeska Soares’ by Julia Rebouças, Dasartes 74 (July 2018): 50-59
  • ‘Constellations of Being’ by Elisa Wouk Almino, LUX (Summer 2018):cover, p.1,pp12-15 (illus).
  • ‘Valeska Soares’, Deutsche Bank (May 2018):19
  • ‘Valeska Soares: Any Moment Now. Santa Barbara Museum of Art’ by Caputo, Amalia, ArtNexus No. 107
  • 2017
  • ‘Valeska Soares’ by Kaelen Wilson-Goldie, Artforum. (2017)
  • ‘Valeska Soares: Any Moment Now’ by Debra Herrick , Artillery. (11/7/2017)
  • ‘Alexander Gray Associates Now Represents Valeska Soares’ by Scher, Robin., ArtNews. 06/26/17
  • ‘La Transformacion del rol del maestro.”.’ by Martha Ramos, Capitel. no.7 (January 2017): 42-45.
  • ‘Profile: Poetic Images’ by Suazana Velasco, Jacaranda No.5: cover, 2, 66-77
  • 2016
  • ‘New York/NY: Valeska Soares: Jewish Museum’ by Alberto, Barral, Artnexus 100
  • ‘Gestos iconoclastas, imágenes heterodoxas’, hoyesarte.com
  • ‘Desintoxicar La Belleza’ by Castillo, Omar-Pascual, Dardo Magazine
  • 2015
  • ‘Valeska Soares’ by Gabriela Kartofel, ArtNexus 96
  • 2014
  • ‘Valeska Soares, Any Moment Now…’, Secret NYC, Time Out New York, p34 (October 23-29)
  • ‘27 Must-See Art Exhibits Opening This Fall’ by Ian Epstein, Vulture, New York Magazine
  • ‘Getty to Jump-Start Latin American Art Research in California’ by Jori Finkel, The New York Times (May 6)
  • ‘‘The best place you’ve never heard of’: a look inside Brazil’s hidden wonderland’ by Stephanie Nolen, The Globe Unlimited (April 28)
  • ‘Tabish’s Top 5 Art Exhibitions to see in London this week’, FAD (April 28)
  • ‘Top Ten Up Now’ by Paul Carey-Kent, Paul's Art World (April 16)
  • ‘Inhotim: Eighth Great Wonder of the Art World’ by Simon Watson, The Huffington Post (April 15)
  • ‘Valeska Soares. Double Margin’ by Filipa Ramos, Wall Street International (April 15)
  • ‘Top 10 U.S. Museum Shows 2014’ by Simon Watson , Huffingtonpost (February 17)
  • ‘Must See: Five London Shows Opening This Week’ by Ashitha Nagesh, Blouin Art Info (April 4)
  • ‘Global Impact’ by Courtney Kasianowicz, Boston.com (March 24)
  • 2013
  • ‘The Art Talks series of guest lectures will feature artists Gregg Brodowitz, Angela Dufresne, Ken Lum, and Valeska Soares’, Lesley University, (June 15)
  • ‘Highlights from Frieze New York Art Fair 2013’ by Nikki Brown, Lifestyle Mirror, (May 15)
  • ‘Frieze gets bolder at 2013 New York art fair’ by Georgina Adam, BBC - Culture, (May 13)
  • ‘Frieze Fair New York Makes the City an Art Destination Supremo’ by Brook S. Mason, New York Social Diary, (May 13)
  • ‘Highlights from Frieze New York’ by Meredith Blechman, Where Art Meets Fashion, (May 13)
  • ‘Booze, Food, Balloon Dogs, and Performance at Frieze New York’ by Jillian Steinhauer, Hyperallergic, (May 10)
  • ‘Frieze for Film Buffs’ by Maud Doyle, Departures, (May 10)
  • ‘What you must know about Frieze New York 2013’ by James Panero, The New Criterion, (May 10)
  • ‘A tale of two art worlds’ by Charlotte Burns, The Art Newspaper, Frieze New York Daily Edition, (May 9)
  • ‘Spotlight on Frieze New York’ by Ope Omojola, Artnet, (May 8)
  • 2012
  • ‘Delight for collectors as a bigger Frieze unites old and new’ by Charlotte Higgins, The Guardian, (October 11)
  • ‘FRIEZE WEEKEND: Critic’s Choice’ by Ben Luke, London Evening Standard, (October 11)
  • ‘Valeska Soares, Eleven Rivington, New York’ by Laura F. Gibellini, Arte Al Día International, (May 28)
  • ‘Round Table: Artists on Their Settings for the Brooklyn Museum Gala’ by Faye Hirsch, Art In America (April 20)
  • 2011
  • ‘Artist Spotlight: Valeska Soares–More than the Eye Can See’ by Laura Hoffman, Broad Strokes: NMWA’s Blog for the 21st Century (January 27)
  • ‘New York’s Nuit Blanche Redux: Industrial Buildings Brought to Light’, Brooklyn Street Art, (October 8)
  • ‘The Lowdown #4: World’s Fair’ by Heather Hubbs and Erin Shirreff, ELLE
  • 2010
  • ‘Reviews’ by Jeffrey Cyphers Wright, ArtNexus 9, ArtNexus #77
  • ‘Valeska Soares: Greenberg Van Doren and Eleven Rivington’ by Brian Boucher, Art in America International, p133 (September 11)
  • 2009
  • ‘The 9th Sharjah Biennial’ by Susanne Birbragher, Art Nexus 8, no. 73, p129-131
  • ‘Back: Sharjah Biennial 9’ by Jonathan Griffin, Frieze, no. 124, p185-186 (June/July)
  • ‘BRAZIL REPORT: The Empty Biennial’ by Edward Leffingwell, Art in America International, no. 3, p59-64 (March)
  • ‘Espaço Criativa’ by Sérgio Rodrigo Reis, Estado de Minas, p8 (January 27)
  • 2008
  • ‘Back:Valeska Soares’ by Silas Marti, Frieze no. 113, (March)
  • ‘Valeska Soares: A Love Affair’ by Simon Watson, Whitewall, no. 11, p60-61 (Fall)
  • 2007
  • ‘You Will Be Re-materialized Through Your Secrets’ by Matthew Wilder, Artforum (July 31)
  • 2006
  • ‘Walk On By by Valeska Soares’ by Andrew Lyle Jones, Chatquah and Galoshes
  • ‘Seduções’ by Eva Scharrer, Artforum (August 8)
  • ‘Walk On By by Valeska Soares and Invisible Cities by Jonas Dahlberg’, Chatquah and Galoshes, (December 20)
  • 2005
  • ‘Critic’s Pick: Valeska Soares’ by Francesco Stocci, ArtForum
  • ‘Heads Up!’ by Raul Berreneche, Interior Design, p142-151 (August)
  • ‘Report From Monterray: Art Booms in Mexico’s Boomtown’ by David Ebony, Art in America, p72-77 (March)
  • ‘Reviews International’ by David Galloway, ARTnews 104, no. 2, p145 (February)
  • ‘Candide Cameras’ by Elisabeth Sussman, Art Forum International, p261-263 (September)
  • ‘Rinascita in Rosa’ by Alberto Fiz, Class Arte, p62-65
  • ‘Notations’, Washington City Paper, (March 31)
  • ‘Here & Now’ by Blake Gopnik, The Washington Post, (March 20)
  • ‘Nature takes center stage at Laumeier’ by David Bonetti, Post-Dispatch (March)
  • 2004
  • ‘Une en sus obras al espectador con el espacio’ by A.V.S., El Porvenir, p1 (May 20)
  • ‘El concepto de arte de Valeska Soares’ by Rocío Castelo, El Norte, p28 (August 6)
  • ‘Expone MARCO ‘Valeska Soares: Caprichos’ by Karla Delgadillo, El Norte, p120 (May 28)
  • ‘Caprichos de Valeska Soares’ by Juan Antonio Espinosa, El Diario, p27 (May 27)
  • ‘Alforja Cultural’ by Julio González, El Porvenir 11, (May 22)
  • ‘Hello, this is Trigger. Get me room service’ by Rose Jennings, The Observer, (September 26)
  • ‘Mirrors and Minimalism, Scented with Lilies’ by Ken Johnson, The New York Times 38 (January 30)
  • ‘Encapríchese hoy en Marco’ by Martha Ramos, Milenio Diario de Monterrey, p43 (May 20)
  • ‘La transterritorialidad del arte contemporáneo’ by Martha Ramos, El Diario, p45 (July 8)
  • ‘Marco presentará algunos caprichos artísticos’ by Martha Ramos, Milenio Diario de Monterrey, p45 (May 12)
  • ‘The Fine Line (Between Something and Nothing)’ by Martha Schwendener, Artforum (August 12)
  • ‘Scouse Stew’ by Adrian Searle, The Guardian, p8-9 (September)
  • ‘Integra agresividad y delicadeza en instalaciones minimalistas’ by Abraham Vásquez Sauceda, El Porvenir, p1 (May 12)
  • ‘Rompe con clichés de AL obra de Valeska Soares’ by Abraham Vásquez Sauceda, El Porvenir, p1 (July 5)
  • ‘Paint the Town Red’ by Jeni Walwin, Blueprint, (November)
  • ‘Envolverá los sentidos con su obra’ by Bertha Wario, El Norte, p1D (May 12)
  • ‘Presenta hoy MARCO obra de Valeska Soares: Llega para impactar los sentidos’ by Matthew Wilder, El Norte, p1D (May 20)
  • 2003
  • ‘Valeska Soares: Sculptures That Feel’ by Rodrigo Moura, Art Nexus
  • ‘Intersticios/Puro teatro: Nuevo foro del Museo Tamayo Arte Contemporáneo para obras de sitio específico’, La Tinta Suelta, (March 12)
  • ‘Con la pieza Puro teatro se estrena foro en el Tamayo’ by Ferry MacMasters, La Jornada, p5 (March 2)
  • ‘Géneros de espejismo’ by Cuauhtémoc Medina, Reforma, p2c (March 5)
  • ‘Valeska Soares: Sculptures That Feel’ by Rodrigo Moura, ArtNexus, no. 50, p52-56 (September)
  • ‘Invaden obras de arte jardines del Tamayo’ by María Eugenia Sevilla, Reforma, p3c-6c (February 28)
  • ‘Valeska Soares: Follies’ by Joe Hill, The Bronx Museum of the Arts, New York, (October 2003)
  • 2002
  • ‘Arte por todos os lados’ by Júlio Assis, Magazine o tempo, Belo Horizonte, p1 (April 1)
  • ‘Smelling is Believing’ by Tom Collins, Venue North, (November 15)
  • ‘About Art: Brazilian Artist Explores Experiences in Tactile and Olfactory Sensations are Equal to Visual Ones’ by Tom Collins, Albuquerque Journal, p3 (August)
  • ‘Exposição no MAP retoma espírito vanguardista’ by Maria Teresa de Paula, Hoje em Dia, Belo Horizonte, p4 (April 4)
  • ‘Estranhamento que ajuda a educar’ by Sérgio Rodrigo Reis, Estado de Minas, p4 (March 17)
  • ‘Reflexos da contemporaneidade’ by Sérgio Rodrigo Reis, Estado de Minas, p4 (April 2)
  • ‘Import/Export: The Borderless Baroque’ by Edward J. Sullivan, Art in America, no. 7, p37-41 (July)
  • 2001
  • ‘Ultrabaroque: Aspects of Post-Latin American Art’ by Matthew Bourbon, NY Arts, no. 56, p.7 (April)
  • ‘inSITE 2000’ by Collette Chattopadhyay, ArtNexus, no. 39, p82-85 (February - April)
  • ‘New Objectives in Non-Objective Sculpture’ by Collette Chattopadhyay, Sculpture 20, p32-37 (July-August)
  • ‘From the Tijuana/ San Diego Border’ by Pamela Echeverría, Flash Art 34, p54 (January - February)
  • ‘Viewpoint’ by Berin Golonu, Art Week 32, p5, 28 (February)
  • ‘Ultrabaroque: Aspects of Post-Latin American Art’ by Marilu Knode, Art Text, no. 72, p83-84 (February-April)
  • ‘Ultrabaroque: Aspects of Post-Latin American Art. Modern Art Museum of Fort Worth’ by Bret McCabe, Art Lies, p.63-64 (Spring)
  • ‘San Diego’ by Julia Morton, Art Papers 25, p53 (May-June)
  • ‘BOMB’ by Vik Muniz , No. 74, p48-55 (Winter)
  • ‘Armory Show 2001, Art Show 2001. New York’ by Charmaine Picard, ArtNexus, no.40, p101-103 (May-July)
  • ‘More than meets the eyes at List’ by Bill Van Siclen, Providence Journal, p12 (November 29)
  • 2000
  • ‘inSITE2000’ by Cecilia Bembibre, Latin Arte 1, (December - January)
  • ‘inSITE 2000’ by Collette Chattopadhyay, ArtNexus, no. 39, p82-85 (February - April)
  • ‘Amnesia’ by Holland Cotter, The New York Times 37, (February 11)
  • ‘FIA 2000’ by Víctor Guédez, ArtNexus, no. 38, p92-96 (November)
  • ‘Good Business Is the Best Art: The Bronx Museum of the Arts, Bronx, New York, NY’ by Graciela Kartofel, ArtNexus, no. 38, p107-108 (November - January)
  • ‘Life and Art Merge: inSITE 2000 Crosses More Than the Border’ by Robert L. Pincus, The San Diego Union-Tribune 1 (October 16)
  • ‘Proyectos’, Minarete, p12-14 (September 24)
  • ‘The Art of the Deal: The Bronx Museum Sees the Cash Register Behind a Higher Calling’ by Franklin Sirmans, Time Out NY, p63 (June 29- July 6)
  • ‘inSITE 2000: Arte sin fronteras’ by by José Manuel Springer, Reforma, p23-24 (October 29)
  • 1999
  • ‘7th International Forum on Contemporary Art Theory’ by Issa Ma Bentez, ArtNexus, no. 31, p85-6 (February - April)
  • ‘Beyond the Monument at MetroTech’, Inprocess: The Quarterly Newsletter of the Public Art Fund 7 (Winter)
  • ‘Valeska Soares: Museum of Contemporary Art’ by Collette Chattopadhyay, Sculpture 18, p59-69 (December)
  • ‘Commissions: Chakaia Booker, Tony Matelli, Valeska Soares, and Do-Ho Suh: Beyond the Monument. Brooklyn, NY’ by Ariane Fehrenkamp, Sculpture 18, p14-15 (March)
  • ‘Mostra em Madri dribla os sentidos’ by Celso Fioravante, Folha de São Paulo, p4-12 (February 26)
  • ‘San Diego. Valeska Soares: Museum of Contemporary Art’ by Robert C. Morgan, Sculpture 18, p59-60 (December)
  • ‘Grappling with the Senses: Casa de América, Madrid, Spain’ by Alicia Murria, ArtNexus, no. 33, p129-130 (August - October)
  • ‘Art 1999 Chicago’ by Charmaine Picard, ArtNexus, no. 33, p98-101 (August - October)
  • ‘Whiff Craft’ by Robert L. Pincus, The San Diego Union-Tribune, p45 (August 5)
  • 1998
  • ‘Amnesia’ at Christopher Grimes and Track 16, 1 July–12 September’ by Michael Darling, Art Issues, no. 54, p37 (September - October)
  • ‘Valeska Soares: Camargo Vilaça, São Paulo’ by Bill Hinchberger, Art News 97, no 11, p161 (December)
  • ‘El arte de la transgresión’ by Yasmín Monsalve, El Universal, p3-18 (February 14)
  • ‘Valeska Soares’ by Adriano Pedrosa, Poliéster 7, no. 24, p46-47 (Winter)
  • ‘A arte dos jardins perfumados’ by Walter Sebastião, Estado de Minas (Belo Horizonte), p12 (October 25)
  • ‘Projeto exibe a Bienal para deficientes’ by Camila Viegas, Folha de São Paulo, p4-14 (December 11)
  • 1997
  • ‘Así está la cosa: Instalación y arte-objeto en América Latina. Centro Cultural Arte Contemporáneo Mexico, D.F’ by Magali Arriola, ArtNexus, no. 26, p123-125 (October - December)
  • ‘Arte interdisciplinar con aromas del Brasil’, Diario 16 (Madrid Edition), p30 (September 21)
  • ‘Rosângela Rennó, Valeska Soares’ by Nilo Casares, Levante: El Mercantil Valenciano, p2 (October 10)
  • ‘Valeska Soares: Christopher Grimes Gallery’ by Collette Chattopadhyay, Sculpture 16, p59-60 (February)
  • ‘Dos artistas brasileñas abren la temporada expositiva’, El Punto de las Artes, p12 (September26 - October 2)
  • ‘Valeska Soares: Christopher Grimes Gallery, Los Angeles’ by Susan Kandel, Art Text, no. 56, p84-85 (February - April)
  • ‘Lenguajes de Rennó y Soares’ by Carles D. Marco, ABC de las Artes, p34 (October 31)
  • ‘Sem Titulo: Idioma Brasil: A Brief Survey of Brazilian Artists in New York’, NY Arts, no. 13, p6-8, (September)
  • 1996
  • ‘Vivir es dejar huella (To live is to leave a trace.)’ by Magali Arriola, Poliéster 5, no. 17, p56-57 (Winter)
  • ‘Jardim das delícias: Valeska Soares brinca com aromas em Strange Love’ by Felipe Chaimovich, Journal da Tarde, p7C (October 11)
  • ‘Depois da Bienal’ by Celso Fioravante, Dário da Tarde, p11 (November 7)
  • ‘Valeska se move entre fé, amor e locura’ by Celso Fioravante, Folha de São Paulo, p5 (November 7)
  • ‘Women in Red: Prácticas transgressivas’ by Ruth Rosengarten, Visão, p3 (October 31)
  • 1995
  • ‘A Guide to the Sites’ by Lis Bensley, The Santa Fe New Mexican, p6-11 (July 9)
  • ‘Longing and Belonging” by Collette Chattopadhyay’, Asia Pacific Sculpture News, p46-47 (Autumn)
  • ‘Repercussão da coletiva’, Jornal do Brasil, p2 (February 25)
  • 1991
  • ‘Flores na relação entre símbolo e matéria’ by Márcio Doctors, O Globo, p3 (July 30)
  • ‘Temática amorosa assola Casa Triângulo’, Folha de São Paulo, p3-5 (April 9)
  • ‘Valeska cria imagens com rosas’, O Globo, p14 (July 19)
  • 1990
  • ‘Restos que viram arte’ by Carla Lencastre, O Globo, p1 (August 19)
  • ‘Fundação das artes’ by Cleusa Maria, Jornal do Brasil , p1 (August 20)
  • 1989
  • ‘Obras do Salão de Artes trazem homogeneidade’ by Nelson Aguilar, Folha de São Paulo 10, (December 31)
  • 1988
  • ‘Os vinte do parque’ by Alexandre Martins, Tribuna da Impresa, p6 (August 2)
  • ‘Uma iluminação muito romântica’ by Rito Lucia, Jornal do Brasil, p15 (January 24)